Its all well and good saying artists should have 'gotten a lawyer' but when there is only ONE label or label with connections offering you a 'take it or leave it' deal then its either the artists take the deal and the money, the opportunities and everything that comes with it or they go back to the block and the grind of trying to find another label... So alot of artists had no choice but sign those fckd up contracts...
Also back in the 80s and the 90s there was no social media and real independent opportunities like there is today, yeah majors had big budgets but getting a contract was like hitting the lotto...
facts like not everybody read the source and knew the record companies were shady niggas ain’t even talk about indecent artists until the 2000s.
Them niggas listened to rap songs, read Word Up! and shit like that.
When Cube left NWA every nigga in my school knew why; 'cause Eazy and Jerry was trying to fuck him out his money. Mind you, the news took about a month or so to reach us, but I remember coming back to school from Christmas break and it was all anybody was talking about.
That was 1990... In Detroit. Not LA, not NYC, De-fuckin'-troit.
We didn't have some sort of special "nigganet" back then either; the shit was on MTV and BET.
Again, KRS-ONE was vocal about how B-Boy Records gave them a fucked up contract, which they KNEW was fucked up from jump, but they signed it anyway and got fucked out of their royalties.
The majority of the first verse on 3rd Bass' biggest song in 1990, "The Gas Face", was dedicated to how record labels fuck you over.
1-9-9-0. We knew then. No internet, no social media, no none of that. There's no excuse you can give me that will justify anybody getting into the industry without having someone go over the paperwork.