bootcheese3000
Residential Hero of the Black Weirdos
I see alot of comments referring to Black Families being targeted, not enough representation of us......
.......well, this should bring some Hope in a dark, cruel World that we reside in:
Despite Leo Tolstoy’s assertion that “all happy families are alike,” as the family photos reveal in Renata Cherlise’s Black Archives: A Photographic Celebration of Black Life, that’s not exactly true. Some families in the book appear dressed in their finest, while others are captured during casual picnics or trips to the beach. In some photos, family members hug each other closely as they smile for the camera, while others are more candid shots of family life. What is similar in all the photos is Black joy.
Let’s face it: so many of the pictorial stories we see of Black families are ones of grief and trauma, the aftermath of yet another police shooting of an unarmed Black person, for example. Cherlise’s book makes clear that Black families have other potent stories to tell. There are first dates, barbeques, trips to Paris, holidays. There is togetherness, laughter, love. These photos testify—through changing fashion, hairstyles, automobile models, photo types, and other markers of time—that Black families have always been part of history, and our stories, our celebrations, have always been an integral part of the historical record.
I spoke with Cherlise via e-mail about the origins of her love for family photos, her book project, and why she considers snapshots “the most authentic storytelling medium in the written and visual language.”
.......well, this should bring some Hope in a dark, cruel World that we reside in:
Despite Leo Tolstoy’s assertion that “all happy families are alike,” as the family photos reveal in Renata Cherlise’s Black Archives: A Photographic Celebration of Black Life, that’s not exactly true. Some families in the book appear dressed in their finest, while others are captured during casual picnics or trips to the beach. In some photos, family members hug each other closely as they smile for the camera, while others are more candid shots of family life. What is similar in all the photos is Black joy.
Let’s face it: so many of the pictorial stories we see of Black families are ones of grief and trauma, the aftermath of yet another police shooting of an unarmed Black person, for example. Cherlise’s book makes clear that Black families have other potent stories to tell. There are first dates, barbeques, trips to Paris, holidays. There is togetherness, laughter, love. These photos testify—through changing fashion, hairstyles, automobile models, photo types, and other markers of time—that Black families have always been part of history, and our stories, our celebrations, have always been an integral part of the historical record.
I spoke with Cherlise via e-mail about the origins of her love for family photos, her book project, and why she considers snapshots “the most authentic storytelling medium in the written and visual language.”
Renata Cherlise On Her 'Black Archives' Project, the Credibility of Candid Photos, and the Look of Black Joy — Colossal
Renata Cherlise discusses her love for family photos, her book project, and why snapshots are “the most authentic storytelling medium."
www.thisiscolossal.com