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Disney+ Marvel's Loki

I remember reading a trade about the Avengers and thinking back I can't recall not one time they went hand to hand with Kang. It was always a show down and maybe he'd use technology or whatever but he was getting over on them consistently
 
GNS said:
I remember reading a trade about the Avengers and thinking back I can't recall not one time they went hand to hand with Kang. It was always a show down and maybe he'd use technology or whatever but he was getting over on them consistently
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How much you think the avengers can get back for Spider-Man ?
 
AZTG said:
And Kang failed. Thanos stopped Thanos in that story.

Like always. Either Thanos stops Thanos, or no one stops Thanos.

But I like your point about how nerfed Thanos was in the MCU.

Kang dont gotta have crazy cosmic level type power to be stronger than MCU Thanos
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Yeah, Kang is a clear threat to the whole multiverse that's been created. This series firmly establishes that Thanks was only a threat to a single universe.
 
Infamous114 said:
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Loki has met Thanos. And yet the terror on his face when seeing the statue of Kang
 
From the sounds of it, What If isn't just a collection of hypothetical stories. It's an actual exploration of what results from the Loki finale. That's pretty cool.
 
Cain said:
So Jonathan Majors improvised the whole scene with Loki's none of that was in the script
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ew.com

'Loki' director Kate Herron and star Jonathan Majors on his pivotal character's wild debut

Loki director Kate Herron and star Jonathan Majors on He Who Remains' surprise debut and the actor being a trained clown.
ew.com ew.com

For her part, Herron wanted to do everything in her power to give Majors the room to play, experiment, and forget about the schedule, and the actor took full advantage of that and improvised. For example, the moment when He Who Remains rattles off what his variants said to each other when they met for the first time — "'I love your shoes.' 'I love your hair.' 'Oh, man, nice nose.' 'Thanks, man.'" — wasn't scripted, nor He Who Remains dramatically standing on the desk at the end of his tale.

"He was never meant to get on the desk," Herron recalled. "That was the fun thing with the improvisation. [The camera team] saw him start to move, and Autumn [Durald, the cinematographer] was like, 'Okay…" and then you saw the cameras start to move; it was almost like a dance with him. But that was not planned. It just blew us away because it was just so cool. That was the fun thing with him: I love the way he brought movement to the character in different ways, because I think that was really important as well. Where are we going to go for that big energy moment? Where are we going to draw people in?" She continued, "I love the bit when he sinks into the chair and he's like, 'I'm old and I'm tired,' and you feel his frailness in a way, you feel his aging, [even though] he's obviously a young man."
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Jonathon Majors being a classically trained clown explains a lot.
 
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