No one is arguing that great production doesn’t help ACCENTUATE lyricists
What I believe Word is saying is that lyricists like Jay-Z isn’t just widely know for just his tracks but his overall lyrical ability and talent
Jay has the total package of a lyricist AND a great songwriter/Hit maker
Same as rappers like 50 Cent
You gotta be born in 2004 to think Jay only famous cause of Beyoncé
He’s probably be even MORE famous if he didn’t get with B
I dont hate Memphis bleek but Jay is better than him. I would also put him over freeway but he aint on beanie sigel lvl. Kanye also would fuck Jay up.
The beat makes or breaks the song.
Jay Z makes most songs better he is who he is. But if they were rapping over this beat instead then Jay Z wouldn’t be able to save it.Nah, it's more to it than that.
Like I said, I bought The State Property 1 and 2 Soundtracks. They were both produced by The Rocafella Production team.
Once Again It's On is the best song on either album. It's Jay Z that makes or breaks the song, not the beat.
The first thing you hear in a song is the beat. If the beat is mid, 9 times out of 10 you are going to skip the song. You might come back to that song later on and say so and so was spitting but the beat was wack.Nah, it's more to it than that.
Like I said, I bought The State Property 1 and 2 Soundtracks. They were both produced by The Rocafella Production team.
Once Again It's On is the best song on either album. It's Jay Z that makes or breaks the song, not the beat.
Jay Z makes most songs better he is who he is. But if they were rapping over this beat instead then Jay Z wouldn’t be able to save it.
If the beat is hot the right artist can make the song better. That’s your argument and I agree with that. But if the beat is wack good chances the artist can’t save it but it has been done. This gives me an idea for a thread.But that's a hypothetical.
I'm saying in real life, not hypothetically, I bought the State Property 1 and State Property 2 soundtracks.
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Once Again It's On is the best song on either album
A Producer can make a banging beat, but only an MC can make a double or a triple into a homerun.
If the beat is hot the right artist can make the song better. That’s your argument and I agree with that. But if the beat is wack good chances the artist can’t save it but it has been done. This gives me an idea for a thread.
The beat was dope Biggie, and Busta made it better.Well let's take Flavor In Your Ear for an example.
It was a decent song when it came out. It was kinda catchy, but it wasn't a MONSTER.
Then the remix came out with everybody on it. Biggie went first and Busta went last. This was when LL was in his prime.
That remix took over the entire summer and was all anybody talked about.
But since Flavor In Your Ear came out in 1994, I don't think I've ever heard anybody freestyle over the instrumental.
I've heard people freestyle over Once More Chance (Remix), Shook Ones, DWYCK, Mass Appeal, What's My Name, Deep Cover, C.R.E.A.M., Dead Presidents, which all came out around the same time. But you never hear anybody freestyle over Flavor In Your Ear. Not that I can recall
My point is, the MCs made Flavor In Your Ear (Remix) a hit, not the beat itself.
If the beat made the song, more people would freestyle over it.
The beat was dope Biggie, and Busta made it better.