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Disney is responding to Scarlett Johansson's lawsuit over Black Widow being released on Disney+. In a statement, Disney has basically indicated that Johansson's lawsuit is meritless, stating "There is no merit whatsoever to this filing. The lawsuit is especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the Covid-19 pandemic. Disney has fully complied with Ms. Johansson’s contract and furthermore, the release of Black Widow on Disney+ with Premier Access has significantly enhanced her ability to earn additional compensation on top of the $20M she has received to date."


When Scarlett Johansson's lawsuit was announced, here legal team issued the following statement: "Disney intentionally induced Marvel’s breach of the agreement, without justification, in order to prevent Ms. Johansson from realizing the full benefit of her bargain with Marvel."

John Berlinski, an attorney who represents Scarlett Johansson, added that “This will surely not be the last case where Hollywood talent stands up to Disney and makes it clear that, whatever the company may pretend, it has a legal obligation to honor its contracts."


This lawsuit between Scarlett Johansson and Disney is quickly becoming something of a lightning rod for the industry. ScarJo is arguably the most high-profile star, taking on what is arguably the most powerful studio in entertainment, over an issue that has never been more pivotal. In what feels like an echo of the battle over the big studio systems of the old days, actors and other creative talents are trying to navigate the quickly evolving industry format - especially where streaming is concerned. From actors to musicians, there is a low-key war going between talent and owners, regarding who gets how much of the streaming profits - and just how those profits are measured and negotiated in modern contracts.


Black Widow has made significant money from Disney's Disney+ streaming service and its "Premier Access" premium feature, which offers new theatrical movies to viewers at home, for a surcharge. Clearly, ScarJo and/or her legal team don't feel like the profits from that streaming option are being reflected in the negotiated sums. It's a fair thing to wonder since Johansson's Black Widow contract was done before COVID-19 swept across the world and drastic new distribution plans for the film had to be made.


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At the same time, Disney is kind of weird for using the pandemic as some kind of shaming tool. That said, it's going to be really interesting to see if this goes into a court - and what a judge might rule in terms of whether or not Disney changed the plans for Black Widow enough to have violate Scarlett's contract.

Source: Deadline


Sounds like Disney still gave her a cut of the premier access streaming profits.

ScarJo's lawyers must think she would have made more money with a theatrical only release. Disney obviously thought they'd make more doing both otherwise they wouldn't have. Unless they were willing to sacrifice BW sales to drive more subscribers. In that case I can understand ScarJo's position.
 
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The fact she made $20m for this mediocre film that bombed, and still wants to sue is a bad look

Clearly she's just bitter that she had the first Marvel flop, and wants to blame Disney+ instead of the pandemic.
 

Johansson’s team says she may have missed out on over $50 million in pay from the streaming move while Disney says Premier Access “significantly enhanced her ability to earn additional compensation on top of the $20M she has received to date.”

A potential 50 million is a lot. Hell, a potential 20 million would be a lot
 
Johansson’s team says she may have missed out on over $50 million in pay from the streaming move while Disney says Premier Access “significantly enhanced her ability to earn additional compensation on top of the $20M she has received to date.”

A potential 50 million is a lot. Hell, a potential 20 million would be a lot
ScarJo's team thinks the movie would have earned more all theatrical. Disney saying she earned more by doing both.

Like I said before, absent Disney streaming it to push subscriptions, I'm trusting Disney on that decision. This is what they do.
 
ScarJo's team thinks the movie would have earned more all theatrical. Disney saying she earned more by doing both.

Like I said before, absent Disney streaming it to push subscriptions, I'm trusting Disney on that decision. This is what they do.


They are still a business and profits for them come first.

Its no way she was filed this if she made more money by letting them stream at the same time it was in theaters. That makes NO SENSE
 
They are still a business and profits for them come first.

Its no way she was filed this if she made more money by letting them stream at the same time it was in theaters. That makes NO SENSE
Nobody knows what would have made more money though. I'm sure Disney has some fancy statistical models and statisticians that said both is better, one way or another, or they wouldn't have done it the way they did.

And you right, profits do come first, which is why I was saying either Disney thought they'd make more on BW by doing both, or just for Disney by doing both via more subscribers.
 
Nobody knows what would have made more money though. I'm sure Disney has some fancy statistical models and statisticians that said both is better, one way or another, or they wouldn't have done it the way they did.

And you right, profits do come first, which is why I was saying either Disney thought they'd make more on BW by doing both, or just for Disney by doing both via more subscribers.

Disney was gon make what they make regardless but by releasing on D+ and Theaters she made less and they made more without paying her a big amount
 
Disney was gon make what they make regardless but by releasing on D+ and Theaters she made less and they made more without paying her a big amount
I think the calculation is much more complicated then either of us are willing to hash out here. A lot of variables would go into that calculation.

Either way, we know Disney's calculations were best for Disney, but we don't know if they were also best for Black Widow and in turn ScarJo's pockets.
 
Disney was gon make what they make regardless but by releasing on D+ and Theaters she made less and they made more without paying her a big amount

Please explain the bold. How was Disney going to make the same amount regardless of how the movie was released?
 
Nobody knows what would have made more money though. I'm sure Disney has some fancy statistical models and statisticians that said both is better, one way or another, or they wouldn't have done it the way they did.

And you right, profits do come first, which is why I was saying either Disney thought they'd make more on BW by doing both, or just for Disney by doing both via more subscribers.

I don't think BW boosted their subscribers like that. It's not like subscribers didn't have to pay an additional $30 to watch the movie.
 
Please explain the bold. How was Disney going to make the same amount regardless of how the movie was released?
I think he's saying Disney was going to make money regardless of the platform.

I think
 
I don't think BW boosted their subscribers like that. It's not like subscribers didn't have to pay an additional $30 to watch the movie.
Maybe not, but at minimum it's like advertising. You can spend $75 at the movies or pay $30 plus a months subscription to watch it at home.

Most will cancel, but a lot might like the service and just keep it. And some will forget to cancel and let it rock for a while.
 
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