T. Sanford
T. Sanford/Trill Doggy Dog (Legion Of Trill)
Two H.C.P robbers on the same track, telling them robbery tunes. Pat on the phone is the GOAT part
Classic or Nah Vol 21: Project Pat - Mista Don't Play
- Thread starter Goldie
- Start date
Two H.C.P robbers on the same track, telling them robbery tunes. Pat on the phone is the GOAT part
Project Pat still got people in they feelings I see.
"I know this nigga who got punked out after every class
He was a bitch in school and now he tote a gun and badge
Put on a uniform and now he think he super bad
Man fuck your vest you still get laid to rest under the grass
I do not give a fuck because you are a officer
I put you in your coffin sir you fuckin wit a slaughterer
Some police don't serve protective
They bangin' pussy in projects
Some niggas pay him off to sell they dope around his set"
MallyG
Active Member
@BDP
I was that nikka too! I'm born and raised Atlanta (Southside), but I listened to EVERYTHING and I still do.
I think it's b/c my pops is from NY and my moms is from The Sipp, got fam in The D/Flint, Memphis and Sac-Town. I just naturally gravitated to everything that sounded good to me no matter the region.
For example, when I was listening to "Shame On a Nigga"/"Protect Ya Neck"/Wu when I was in middle school, 90-95% of them wasn't rockin' wit it or even heard it. But that shit was hard as a muhphucka 2 me!
Of course I got a ton of South shit, but if you looked @ my CD (yeah, I still phuck with those, lol) case you wouldn't know where I was from.
MallyG
Active Member
They had a run that only several groups in hip hop can say they've had.
Oh and Triple 6/ Juicy J got three songs on the radio right now that were/are blatant samples/bites from them....
ASAP Ferg - Plain Jane
G-Easy/ASAP Rocky - No Limit
Plies - Rock
Those Mafia songs ("Slob On My Knob" and "Late Night Tip" respectively) are approximately 20 years old and still have major influence. Jus sayin'.....
T. Sanford
T. Sanford/Trill Doggy Dog (Legion Of Trill)
Although it doesn't get as much as spins as the three songs but Jeezy Bottles Up is another sample from Three 6. They don't realize that Paul & Juicy sound is all in today's music
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SeaSnake
OG
Plus local niggas dont win grammys
Right and they didn't
SeaSnake
OG
Yes they did. They got it for Hustle and Flow. They more than local you just cant fathom it.
BDP™️
Acknowledge Moi
It was an Oscar for Best Original song,
They were the first hip hop group to not only perform at the academy awards, but to also win one
BLACK FUCKING EXCELLENCE
@Chi-Town B
They were the first hip hop group to not only perform at the academy awards, but to also win one
BLACK FUCKING EXCELLENCE
@Chi-Town B
They did not win a Grammy they won a movie award. After that bullshit they went back to being irrelevant until they started cooning with Miley Cyrus then when she left them it was right back to being irrelevant.
These niggas not big like y'all making them out to be but y'all got it.
MallyG
Active Member
Good lookin' Sanford!
I don't know how I missed that seeing that I phux w/ that song! It does still get moderate spin in the city.
@Knock_Twice
The thing is; Hip Hop originated from New York city. So if there's a discrepancy about what song was poppin in what region, New York wins by default because New York is the creator, founder and owner of Hip Hop.
That's indisputable.
If that Southern country bumpkin music wasn't poppin in New York then it wasn't official.
Now I lived in NYC from 97-99 and I lived in Northern New Jersey from about 2003-2011 and I used to listen to the radio (Hot 97, WBLS). I can tell you as a fact that from 97-99 there were a few songs by No Limit that popped in NYC; I'm Bout It, It Ain't My Fault and Make Em Say UUGGHH. Those songs got heavy play in New York. Also Ha by Juvenille. I remember when Aquenimi got 5 Mics in The Source but nobody in New York knew anything about it because they weren't getting played on the radio.
But I must admit, we had the I'm Bout It VHS tape and we used to watch that a few times per week. I liked the movie because it was a sharp contrast from what was going on in NYC with the tall buildings and subway and traffic, etc.
So anyway, I moved back to Massachusetts for a few years and then moved to New Jersey circa 2003. By the mid 00s Southern music seemed to be getting more and more popular. I really started noticing it when 50 Cent and Kanye West started rapping with Southern accents.
Anyway, the point I'm trying to make is that nobody in New York cares about your feelings. It's like if somebody from Australia was calling me a hater because I don't listen to Australian Hip Hop. That's what you sound like.
The thing is; Hip Hop originated from New York city. So if there's a discrepancy about what song was poppin in what region, New York wins by default because New York is the creator, founder and owner of Hip Hop.
That's indisputable.
If that Southern country bumpkin music wasn't poppin in New York then it wasn't official.
Now I lived in NYC from 97-99 and I lived in Northern New Jersey from about 2003-2011 and I used to listen to the radio (Hot 97, WBLS). I can tell you as a fact that from 97-99 there were a few songs by No Limit that popped in NYC; I'm Bout It, It Ain't My Fault and Make Em Say UUGGHH. Those songs got heavy play in New York. Also Ha by Juvenille. I remember when Aquenimi got 5 Mics in The Source but nobody in New York knew anything about it because they weren't getting played on the radio.
But I must admit, we had the I'm Bout It VHS tape and we used to watch that a few times per week. I liked the movie because it was a sharp contrast from what was going on in NYC with the tall buildings and subway and traffic, etc.
So anyway, I moved back to Massachusetts for a few years and then moved to New Jersey circa 2003. By the mid 00s Southern music seemed to be getting more and more popular. I really started noticing it when 50 Cent and Kanye West started rapping with Southern accents.
Anyway, the point I'm trying to make is that nobody in New York cares about your feelings. It's like if somebody from Australia was calling me a hater because I don't listen to Australian Hip Hop. That's what you sound like.
Knock_Twice
2 Words
Listen to me:
Hip Hop started in NYC, Kool, I salute that, but it's very very sad and hurts my heart to know that a few country niggas such as J.Prince, Master P Ronald/Brian Williams, Luke, Tony Draper, and Ted, had to show you NYC niggas how to make money from the art. It took niggas, real hustling ass niggas to show you niggas how to make money, Baby showed you niggas how to put 20s on a Range Rover back in 97 and introduced you niggas to stretched humvies, Most of the niggas up there in 97 never even heard of a humma on 32s , P showed you niggas you can walk and chew gum at the same time by going into other businesses and doing other stuff, you niggas got the marketing game from Master P, and he put other folks on... I can go on, but you got plenty sense, you understand what I'm saying
Some of your biggest hardest artists from where it all started were still living in their mama basement or sleeping on their mama couch with a Gold or Platinum album out but the buck stops with yall NYC'ers when it comes to this music shit and getting real money?
Ok, Noted
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This shit is sickening
So I guess Russell Simmons wasn't making any money when he executive produced the Fresh Fest Tour in 1984?
Knock_Twice
2 Words
Grand,
Master P had East Coast Labels scared to put out music from their "main" artists, The label heads wouldn't dare drop an album on the same day as him or his artists
But the buck stops wit yall when it comes to this music shit??