John Legend makes a “Me Too” friendly version of 'Baby, It's Cold Outside'

StringerBell

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Hear The New ‘Corrected’ Lyrics To Legend and Clarkson’s ‘Baby It’s Cold Outside’


John Legend and Kelly Clarkson have put a 21st-century spin on the classic holiday song “Baby, It’s Cold Outside,” which has been the subject of criticism for what some listeners see as sexist or nonconsensual lyrics.

The new song, featured in Legend’s holiday album, “A Legendary Christmas: Deluxe Edition,” changes the lyrics to the decades-old version, bringing a more modern ring to the beloved call-and-response tune.

In recent years, it’s received some backlash for being insensitive, reports CBS2’s Steve Overmyer.

In the original lyrics, written by Frank Loesser in 1944 and made famous by the film “Neptune’s Daughter” in 1949, the male singer seems to be insistently persuading his female guest to stay, despite her insistence that, “I’ve got to go away,” and, “The answer is no.”

In the era of #MeToo, those lines seem to many like definite denials of the male singer’s pleas of, “What’s the sense in hurtin’ my pride?” and, “Oh baby don’t hold out.”

Listeners in the 1950s may not have blinked an eye, but in a culture than now focuses more on sexual consent, the lyrics seem problematic to some.

New Yorkers in Bryant Park seemed to welcome the new version.

“As opposed to the 1940s version that felt a little ‘date rapey’ – it’s probably the best way to put it,” said Nathan Logsdon. “It’s not quite as forceful on the male side. I felt like I was giving her a good option.”

“I understand that sensibilities have changed, but you also have to have the perspective of what it was in the 1940s,” said Scott Greenfedder. “I like the old version because it conjures up images for me, but I get a real chuckle out of this version.”

“I never really thought it was that bad growing up, and then the more I got to know it I was like ‘Oh this is bad,'” said Rachel Cool.

Others said they still prefer the original classic.

“You should learn from history – don’t destroy it, but learn from it,” said Jim Padgett. “And the original song they had out there. There was nothing wrong with that song.”

Instead of canceling the song altogether, Legend and Clarkson present a fresh set of lyrics to the iconic jazzy tune. This time, the song sounds more like the parting of two lovers rather than a strange persuasion effort.

When Clarkson sings, “I’ve got to go away,” Legend returns with, “I can call you a ride.” And guess what? Her driver’s name is Murray and Legend wants her to text him when she’s home safely.

“Text me when you get home,” Legend sings.

But don’t worry, he’s not shoving her out the door. It’s obvious the two want to be together, but Clarkson just isn’t feeling completely sure about staying the night and doesn’t want to worry her family.

Legend brings up a good point, though, when he sings, “Wait, what are you still livin’ home for?”

“I want you to stay, it’s not up to me,” he tells her.

That’s right! And you know what else?

“It’s your body and your choice,” he tells her as she worries what her friends will think, echoing the cry of women’s rights protesters on the decade

WCBS-FM’s Broadway Bill says the New York radio station has seen a handful of complaints over the last couple years.
“Older Americans say that’s the way adults deal with each other, but younger women are afraid and I understand that,” Broadway Bill said.

Not everyone’s warming up to the idea of a new version.

“The Talk” co-host Sharon Osborne is chilly towards the new release. “It’s a piece of art… to change an innocent lyric, to what is it, ‘your mind and your body?’ What the hell are you on? That’s ridiculous,” she said during a discussion on the show.

And Deena Martin, Dean Martin’s daughter, called Legend’s new lyrics “absolutely absurd.”

“I think what he’s done is he’s stealing the thunder from Frank Loesser’s song and my dad,” she said on Good Morning Britain. “He should write his own song if he doesn’t like this one, but don’t change the lyrics. It’s a classic, perfect song.”

See for yourself, though. Here’s the song and lyrics so you can decide how you feel about it.

Updated Lyrics
[Verse 1: Kelly Clarkson & John Legend]
I really can’t stay (Baby, it’s cold outside)
I’ve got to go away (But I can call you a ride)
This evening has been (I’m so glad you that you dropped in)
So very nice (Time spent with you is paradise)
My momma will start to worry (I’ll call the car and tell him to hurry)
My daddy will be pacing the floor (Wait, what are you still livin’ home for?)
So, really, I’d better scurry (Your driver, his name is Murray)
But maybe just a half a drink more (Oh, we’re both adults, so who’s keepin’ score)
What will my friends think? (Well, I think they should rejoice)
If I have one more drink? (It’s your body and your choice)
Ooh you really know how (Your eyes are like starlight now)
To cast a spell (One look at you and then I fell)
I ought to say, “No, no, no, sir” (Then you really ought to go, go, go)
At least I’m gonna say that I tried (Well, Murray, he just pulled up outside)

[Chorus: Kelly Clarkson, John Legend & Both]
I really can’t stay
(I understand, baby)
Baby, it’s cold outside

[Verse 2: Kelly Clarkson & John Legend]
I simply should go (Text me when you get home)
Oh, I’m supposed to say no (Mm, I guess that’s respectable)
This welcome has been (I’ve been lucky that you dropped in)
So nice and warm (But you better go before it storms)
My sister will be suspicious (Well, gosh your lips look delicious)
My brother will be there at the door (Oh, he loves my music, baby, I’m sure)
My gossipy neighbor’s vicious (I’m a genie, tell me what your wish is)
But maybe just a cigarette more (Oh, that’s somethin’ we should probably explore)
I’ve got to get home (Oh, baby, I’m well aware)
Say, lend me a coat (Oh, keep it girl, I don’t care)
You’ve really been grand (I feel when you touch my hands)
But don’t you see? (I want you to stay, it’s not up to me)
There’s bound to be talk tomorrow (Well, they can talk, but what do they know)
At least there will be plenty implied (Oh, let their mind their business and go)
 
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Hellczar

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Surprize!

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All of this shit brought to you by a big corporate machine. John Legend and his wife are paid by white corporate trolls. 21st century music is all about sucking dicks and pussies, and black people calling each other niggers—-but, oh yeah, let;s pick on some corny 1950s shit and pretend we are all outraged.
 

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The popularity of the video led to more serious analysis of the song’s lyrical content by feminist writers. Most of these earnest parsings concluded that the song was basically a celebration of boundary-crossing sexual coercion, but there was the occasional unexpected counterpoint. In a Persephone Magazine article from 2010, blogger Slay Belle argues that the song is actually about “the desires even good girls have” and the Mouse’s internal struggle over whether she should “push the bounds of acceptability” and stay the night.
“Her beau in his repeated refrain … is offering her the excuses she needs to stay without guilt,” Slay Belle writes.
One frequently quoted article, written in 2016 by a former teacher and jazz enthusiast, parsed “Baby, It’s Cold Outside” in the context of the time it was written. While the line “What’s in this drink?” was interpreted by some as the Wolf plying the Mouse with alcohol in order to take advantage of her, the blogger wrote that it “was a stock joke at the time” and “the punchline was invariably that there’s actually pretty much nothing in the drink, not even a significant amount of alcohol.”
A lot of the jokes of that time when the song came out arnt around today.
 

Soul_Rattler

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If this was a song I gave a fuck about, I'd be kinda tight.

But it ain't, so go right ahead. John gonna have to chill eventually tho.
 

grYmes

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I never gave a fuck about this song. Those who do need better reasons to waste their time.
 

SneakDZA

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So... ok. ?

I mean ...

Anybody who gives a shit about this is either dead of old age or a rapist, right?

Like... in a choose your battles situation I'd love to hear who has time for this.